Shot one: production company logos etc
Shot two: establishing wide shot of London eye
Shot three: establishing wide shots of designer stores
Shot four: establishing wide shot of London Bridge
Shot five: establishing wide shot of Harrods
Shot six: establishing wide shot of Leister Square fountain
Shot seven: establishing wide shot of car show room
Shot eight: establishing wide shot of house one
Shot nine: car door shutting mid-shot
Fast shots (flashbacks)Shot ten: Mid-shot of flipping a pancake – with mum
Shot eleven: blowing out candles – with friends
Shot twelve: Hugging her mum – long shot
Shot thirteen: her and her friends on the sofa eating popcorn – mid-shot
Shot fourteen: long shot from the back of her holding her boyfriends hand
Shot fifteen: tug of war with her dog – mid-shot
Shot sixteen: up the tree or at the bottom of the tree with her boyfriend – long shot
Shot seventeen: up the tree or at the bottom of the tree with her boyfriend- close-up
Shot eighteen: kisses her boyfriend – close up
Shot ninteen: close up of pan round her head – extremely fast
Shot twenty: dropping phone close up – Slowed down
Shot twenty-one: dropping phone mid shot – Slowed down
Shot twenty-two: high angle of the car driving away
Shot twenty-tree: train station Basildon sign establishing wide
Shot twenty-four: Primark
Shot twenty-five: priceless shoes logo
Shot twenty-six: establishing wide shot of the market
Shot twenty-eight: Mary Poppin’s cafĂ© logo
Shot twenty-nine: Basterable school
Shot thirty: establishing wide shot of the small house
Shot thrity-one: long shot of her walking past people (on the phone)
Shot thirty-two: close up of her walking past (on the phone)
Shot thirty-three: high angle of the girl swinging on the swing (on the phone)
Shot thirty-four: long shot of her on the swing him coming up to her, framing of trees (on the phone)
Shot thirty-five: side close up of the posh boy putting the phone down
Shot thirty-six: quick pan of him looking at her
Shot thirty-seven: mid shot of her sitting on her own and he comes and sits with her. (in two shots from different angles)
Shot thirty-eight: split screen, posh boy looking alone and miserable – mid shot. Girl with other boy at a party mid-shot
Shot thirty-nine: long shot of them sitting on the bench together from behind
Shot forty: over the shoulder shot of their hands on top of each other
Shot forty-one: match on action of posh boy looking miserable at his desk checking his phone
Shot forty-two: looking miserable – no text message, no calls
Shot forty-three: Ariel shot of them lying down
Shot forty-four: over the shoulder of them leaning in to kiss
Shot forty-five: mid shot of them kissing
Shot forty-six: mid shot of them pulling apart posh boy in the background with present
Shot forty-seven: close up of shocked posh boy